“A lot of time people tell me that when they play Zelda, there are these wonderful ‘I did it!’ moments, where they solve a puzzle and think they must surely be the only person in the world who could have cracked it,” he says. Zelda producer Eiji Aonuma, who has been working on Zelda games since the mid-90s, believes that the series’ willingness to trust the player’s intellectual curiosity is the key to their appeal. Photograph: Richard A Brooks/AFP/Getty Images People queue to buy the game after it went on sale in Tokyo. It is already being called one of the greatest video games Trusted Reviews said it was “likely to go down in history as one of the best games ever to grace a Nintendo console”, and the games media’s longstanding behemoth IGN has called it an “unfathomable follow-up, expanding a world that already felt full beyond expectation and raising the bar ever higher into the clouds”.Ĭritics have said it offers a previously unimagined level of creative freedom, letting players fabricate their own weapons and madcap contraptions, from makeshift planes to flame-throwing shields. Tears of the Kingdom invites players to explore a fantasy kingdom, Hyrule, as elven hero Link, letting them chart their own path through the world and uncover its many secrets. It is the connoisseur’s choice, a game whose puzzles and battles involve your intellect as much as your reflexes. If Mario is gaming’s most recognisable face, the medium’s equivalent of Mickey Mouse, Zelda is more like Indiana Jones – clever, swashbuckling and much imitated.

That makes it a game worth taking a day off work to play – or maybe even a week.

On review aggregation site Metacritic, it currently has an average score of 97/100, putting it comfortably in video games’ top echelon.

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